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    4.0HD中字

    残酷

    • 主演:Katrina  Grey  仁科贵  亚矢乃  Naho  Nakashima  Butch  Nanako  Ohata  
    • 导演:广濑贵士  
    • 分类:恐怖
    • 地区:日本 
    • 年份:2018 
    • 更新:2026-04-07 20:26:15
    • 简介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
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    Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.  “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.  The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.不是不想全部拿走,而是能用得上这些东西的队长就那么几位,并且他也得留下一点家底,万一这一仗打输了总部的其他负责人也有灵异物品可以用,不至于一无所有。……

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    《残酷》热门评论

    • 张天翼发表于: 90小时前
      说要看书结果把电影看了……不过书还是看了一本的。和书相比,残酷2021国语在线观看电影少了许多细节,比如娜塔莉娅一心想嫁给格里高利时与她父亲的争辩。即使电影还原了书里的环境描写,也没有文字的优美婉转。之前看文学史的时候,对格里高利的形象很不解,他是个彻彻底底的双重人物:性格、爱情、政治倾向。不过他也是个在历史动荡中在夹缝中求生的牺牲品吧。娜塔莉娅和杜妮亚好漂亮,水汪汪、白嫩嫩的。老电影的中文配音都听着好别扭。另外,这里的男的的发型咋都那么倔强啊
    • 影杂志发表于: 115小时前
      当灰色都俨然侵染成了黑色,《残酷80s电影天堂在线观看》并没有哪怕丁点的对电影的问题做出了改善,整部电影冗长空洞的玛丽苏爱情和如同儿戏般的剧情展开,都让这部明明在拍剧情片的电影,给人以频频笑场的尴尬,只能说或许此作想要的就是单以情色为噱头一本正经的胡说八道来逗人欢乐。
    • The_Mars发表于: 61小时前
      狄姜分手之作,古装戏说片,三星不能再多。只有卢燕的慈禧形象立体一些,其余所有演员都脸谱化得令人捉急。除了香港摄影棚音效光线布景的诸多局限,历史题材的编剧掌控力也远不如大陆。
    • 远子发表于: 147小时前
      雨果的二女儿死缠烂打浪子情人,残酷HD国语高清在线观看步入癫狂。她追随对方来加拿大,捏造订婚故事,求助催眠师,搅黄对方婚姻,远赴巴巴多斯。通篇都以特写为主,可能有成本的考量,但美学上也成立,镜头一直像在舔20岁阿佳妮的脸,她这时就开始演些痴狂的形象了,有趣的是,这片子的运镜和剪辑更靠近左岸派的疏离感(尤其黑女人给雨果写信那节),镜头即便是运动也总让你感觉处于限制中,配色等视觉元素也偏冷调,但写人物却是浓烈的,每次阿佳妮给雨果写信都是对着镜头念出来,她溺水的梦境和对亡姐的执念也被反复搬演,像是把阿佳妮的痴狂世界催眠给观众,特吕弗在细微的调配,以便达到略显背反的气质与精神的微妙平衡。最后将雨果的死和阿佳妮的死并置,以她追随爱情的豪言总结,看上去倒像是一种夸耀了
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      随手不关门的智障行为和智障女儿不能忍

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