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造物的奇迹
- 主演：Margarete Schön Theodor Loos Paul Bildt Margarethe Schlegel Oscar Marion Willy Kaiser-Heyl
- 导演：Hanns Walter Kornblum
- 分类：科幻片
- 地区：其它
- 年份：1925
- 更新：2026-04-07 20:32:50
- 简介：
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.“应该不会。”朱昀低声道：“这一回的刺客夜袭，闹得沸沸扬扬，惊动朝野，皇祖父盛怒之下，必会严令彻查。”
造物的奇迹播出时间：1925
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豆友〇肆壹壹发表于: 170小时前3.5。造物的奇迹午夜伦不卡在线观看这个人物有一种很难表述的幼齿冷酷，尤其表现在他的关注和记忆随着好奇心的转换迅速淡化。刚入学感兴趣的女生跟好友怀孕，他乐见其成；前女友跟他回忆往昔，他心不在焉；女友留下他去法国留学，他兴高采烈，人家在车上说“最喜欢你”，他已经兴奋地拿着照相机四处奔跑，像个躺在摇篮里的婴儿，无论苦乐都只有两秒钟记忆，随后就迅速被下一个玩具吸引而将前情抛在脑后了。大概只有日本片才能把这种冷漠的怪诞包裹上一层糖衣喂给观众。但对这样的人，我很难想象众多朋友都在多年后深情款款地回忆他。所以影片是在暗讽一个狗熊掰棒子似的纯粹傻瓜和一群斯德哥尔摩综合症患者的症状么？很难分辨清它内在的口吻究竟是啥，这也是日本电影意思迥然不同的含混又让人心悸的地方。
西楼尘发表于: 119小时前高速剪辑+运动镜头+光鲜亮丽的影像+哗众取宠的魔术场景+狗血逆转桥段=狮门/顶峰暮光之城饥饿游戏后又一套青少年脑残粉系列，难怪映前还贴了个小时代的预告片。- 比芭宝发表于: 127小时前不露俗的时来一笑，配乐和场景把惊悚气氛渲染得不错，恶搞《造物的奇迹国语英语双字版在线观看》，但是恶搞得很赞。
冽冷发表于: 36小时前太浮夸了 石头是在演舞台剧吗 好好跟特里劳妮教授学学怎么表演疯狂 高傲 气势逼人 收放自如的反派吧
传说发表于: 43小时前就知道一众人扣着剧情不放，又不是瞎子看不出来小女孩尬、反派降智、故事稀碎，元素众多就是“缝合怪”，什么十年了这些都不注意没有诚意等等。人家专业的工作者难不成比你们这种业余的观众还无知？就中国国内从来没有这样高水平的硬核科幻机甲片出现的情况下，探索到现在这样令人惊喜的水平付出的精力是你拍拍脑瓜子随便拿好莱坞成熟能力无脑对标能理解的？怪不得豆瓣是其他人眼中的笑话，以后这上面评论就当娱乐看就行了。多一星给国产之光。